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Days before, the assistant curator of the Château de Blois, Pierre-Gilles Girault, who had curated an exhibition in 2010 called “Fêtes et crimes à la Renaissance, la cour d’Henri III” (Renaissance celebrations and crimes, the Court of Henri III), was notified of the sale by a keyword alter on a website specialising in public auctions.
14) A similar bowl in the Percival David Foundation, London, is illustrated by Margaret Medley in Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains in the Percival David Foundation of Chinese Art, London, 1976, plate VIII, no. The small portrait depicting Henri III at prayer, estimated at €400-€600, was due to be sold on Friday, 17 October, in an auction of antique paintings, furniture and art objects held by Ader-Nordmann at the Hôtel Drouot.
Thinking he had found a copy from the same period, he called the Louvre, which after examination, identified it as the missing original.
Girault knew the work had once belonged to the Louvre, but that any trace of it was lost during the Second World War.
Also from Mughal India is a very elegant Lahore gallery carpet, lot 116, which relates to the famous Girdlers’ carpet, commissioned for the Girdlers’ livery company in the 1630s. Ritman Collection Purchased by the present owner at Sotheby’s New York, 12 April 1996, lot 78 Literature: Eberhart Herrmann, Seltene Orientteppiche, IX, Munich 1987, cover and pp.7-9 ‘Auction Reports – Mughal Mania’, Hali 87, July 1996, p.161 Steven Cohen, ‘Ten Thousand At A Glance’, Hali 88, September 1996, pp.74-77 Notes: The pashmina Mughal millefleurs prayer rugs are amongst the most revered and sought-after of all classical Indian carpets.
The best of 19th century Indian Revivalist weaving is represented by lot 49 a finely woven ivory ground Agra carpet with a classic large palmette design borrowed from Safavid and Mughal carpet designs (estimate: £30,000-50,000). Distinguished by their elegant compositions of finely drawn floral stems and luminous, jewel-like colours; fewer than fifteen examples of these exquisite rugs are known and half of these are housed in important museum collections.
Séverine Petit Mots-clés'Abbas Ghulam Shah, 'Clam Gallus' design, 18th century, Afghanistan, Afsharid, Agra carpet, al-'abd al-muthnib 'Ali, Amir Khusraw Dihlawi, Aqa Mirak, ‘Lotto’ carpet, Blue-and-White, Bursa, Cairene rug, calligraphic panel, Central Anatolia, Central Persia, circa 1540-50, circa 1575, circa 1580, circa 1650-58, circa 1920, Dala'il Al-Khayrat, early Ottoman, Edirne, Emperor Akbar, Emperor Shah Jahan, First half 18th century, First quarter 17th century, gilt blue glass dish, Ibrahim Na'ili, India, Iran, Isfahan, Isfahan part-cotton and metal-thread rug, Istanbul, Iznik, Iznik pottery dish, Iznik pottery tankard, Iznik pottery tile spandrel, Jamal Al-Din Abu Muhammad Nizami, Karapinar rug, kard, Kashmir, Khamsa, Konya District, Lahore, Lapis Lazuli, last quarter 19th century, late 16th century, Late 16th or early 17th century, Late 17th or early 18th century, mid-15th century, Mughal, Mughal India, Muhammad Bin Sulayman Al-Jazuli, Muhammad Husayn, nasta'liq, nasta'liq quatrain, North India, Ottoman Egypt, Ottoman Turkey, pottery dish, Prince Jalal Al-Din Akbar, Qazvin, Safavid, second quarter 17th century, Shiraz, silk and metal-thread 'Polonaise' rug, silk and metal-thread Koum Kapi rug, Tabriz, The Douglass Mughal ‘Millefleurs’ prayer rug, Ushak, West Anatolia, Zand An important early Ottoman blue and white pottery dish, probably Edirne or Bursa, mid 15th century. LONDON.- Objects tracing the rich cultural heritage of the Islamic and Indian worlds will be offered in a series of three sales at Christie’s in London during Islamic Art Week which runs from 7-10 October.
Among the 700 lots on offer within the sales there is particular strength among the works of art from the Mughal, Safavid and Ottoman Empires.
The sales offer an insight into the diversity of the religious, social and geographical influences on works of art and the craftsmen, artists and patrons who created them.
2 and 3, p.75) but it does not follow that the design originated with the shawl industry.
Historically the Habsburg prayer rug has been considered the earliest of the millefleurs prayer rugs, dated by most authorities to the late 17th century or early 18th century.